Redesigning Vogue

Thursday, December 2, 2010

Illustrated Cover Above


Fall Shoes Pencil Rough
Spring Sandals Pencil Rough
Vogue Cover 1946

Our absolute, grand finale, last project ever ever ever in Adobe Illustrator was to redesign American Vogue's November issue. Obviously we had great big shoes to fill with this one. We were asked to reference as many former covers as possible in order to understand the evolution of the magazine. Naturally, I fell in love with the old illustrated covers from the 40's, 50's, and 60's. I took the above cover from 1946 as my inspiration point of departure. It coincided perfectly with Vogue's article on Giuseppe Zanotti's repurposed flat for Spring.

I really admired how this particular cover used one single accessory, yet achieved so much dynamism in the illustration. If the focus is strong in a design, the end result reflects that, so I wanted to be very specific about my cover's direction. In order to stay true to the November issue's text, every shoe I illustrated was from Zanotti's Fall 2010 collection. Even though the article referenced the Spring collection, I illustrated Fall given the season. Thank goodness for all these flats. After injuring my ankle in tennis yesterday, I won't be wearing heels for a long while. Enjoy!!

Barely There

Monday, November 29, 2010







Last Wednesday while viewing my blog, my dear friend and classmate Kayla said to me, "Meagan stop photoshopping the **** out of your illustrations, I want to see them raw." I genuinely honor and respect my peers' opinions. But I had to explain, in my defense, that in order to eliminate the grey smog color of the paper, so many of the delicate shadows in wash are lost. Thus I have to replace them in photoshop with the brush tool.

I happen to despise when my works aren't completely white in the background, but I also dislike losing so many of the delicate subtleties that make a piece so special. Finding a balance between the two is much harder than you think. When you're using wet media on sketch paper there is always a degree of warping. So today, for one time only, here are 6 raw and unedited brush and ink illustrations from Bil Donovan's class. Enjoy!!

P.S. Love you Kayla!! Thanks for your comical, yet incredible, input as always.

Walking Shoes and Dragonflies

Friday, November 26, 2010



All 5 Minute Sketches From Life

And She Goes Tumbling Down...

Wednesday, November 24, 2010



I have a small confession to make. I always find myself waiting for friends on evenings when we are meant to go dancing. I'm not sure if I was born with the curse of punctuality or if my friends were born with the curse of tardiness ;) but I always find myself waiting. In such cases when I'm already dressed and ready to go, I pass the time with impromptu photo shoots.

The above shot is the result of one of these instances. In the spirit of disclosure, I actually love the opportunity to be creative with my camera on the opposite side of the lens. I like the excitement of not knowing what I'll get. My arrangement of these photos was deliberate. They are meant to resemble Rorschach inkblot tests used in psychology. "What do you see, when you look at me?" Enjoy!!

All Wrapped Up

Monday, November 22, 2010



All 10 Minute Sketches



Our Friday afternoon model rocked two of my most favorite Fall 2010 accessories: the turban, and faux fur jacket. I actually had an internal spastic freak-out when she walked onto the stand with her hair all wrapped up in a colored scarf. I literally could not draw fast enough. Go figure, I only got one completed sketch of her wearing the turban, but I had quite a lot of fun converting the hues in photoshop. These sketches have me singing the lyrics to Rihanna - Rude Boy over and over again lol. Red hair or no red hair, the girl has style, and so did this fabulous model. Get your shades on for these. Enjoy!!

Pixie Refined

Sunday, November 21, 2010


Who knew the same Manic Pixie Dream Girl from yesterday could evoke an entirely different feeling just by converting her to black and white?! The goal of Friday's class drawings was to achieve a face worthy of a perfume ad. I decided to experiment with the color palette and opacity in order to arrive at just that. I love that this composition evokes such a feeling of old Hollywood glamour. I have a real affinity for vintage beauty. The type of demure elegance that women of the 1950's exude through their pores. Oppressive gender roles aside, I would happily spend a day absorbed in that era. Enjoy!!

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